After
explaining that “little death” is a French euphemism for orgasm, Josh Lawson’s film introduces its
characters, a series of couples. The fact that they live in the same
neighbourhood is the only thing they would seem to have in common, if the film
did not give us an insight of their sexual life. What really connects all these
people, however, is that each couple’s effort of satisfaction or rekindling the
fire in their sexual life is being tested by sexual fetishes. Masochism, role
play, dirty phone calls and other, more unusual situations give to each of the
film’s five different stories its main theme. Also, they make the film’s
subject sound far more daring than it actually is…
(2½ out of 5 spinning tops)
In
reality, The Little Death is but a
common dramedy or even a rom-com. The interesting subject and its division into
different stories may make the film a bit special, but, for the most part, the theme of sexual
fetishes is exploited simply as a way to produce comedy rather than approached
with realism. The result is undoubtedly amusing, as well as tender, but there
is always a sense of lacking enough dare and honesty. Thankfully, Lawson avoids
the danger of clichés and forced happy-endings and, truth be told, we would
have no reason to complain about the film had its stories been truly solid and
resolved. Its main flaw, however, is that after its ending (which might be
unexpected, but it is also sloppy) most of the stories remain literally unfinished!
Nevertheless,
the beautiful final story leaves a sweet aftertaste, being arguably the best of
them all. Along with the story about masochism, these two clearly stand out as
notably sensitive and actually complete.
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